BOOK REVIEW
An Imperishable Heritage: British
Choral Music from Parry to Dyson
A Study of Selected Works
by Stephen Town
Published by Ashgate (Surrey, England and Burlington VT); ISBN 9780754605362 (hardcover)
ISBN 9781409448792 (e-version), 327
pages
Chapters
2. Voces Clamantium and Beyond These Voices There is Peace: The Embodiment of Parry's Character Polarities
3. Two Versions of The Three Holy
Children by Charles Stanford: Context, Design, and Extant Sores
4. Elegiac Ode by Charles
Stanford:An Inspired Setting, Influential Exemplar, and Filial
Tribute
5. Flos Campi by Ralph Vaughan
Williams: “From Raw Intimations to Homogeneous Experience”
6. “The light we sought is shining
still”: An Oxford Elegy by RVW
7. “So great a beauty on these
English Fields”: Requiem da Camerata and Gerald Finzi
8. “The Visionary Gleam”; Gerald
Finzi, RVW, and Intimations of Immorality
9. Symphony No. 9, Sinfonia Sacra
by Edmund Rubbra
10. The Morning Watch, Op. 55 by
Edmund Rubbra
11. “A home of unfading splendour”:
Quo Vadis by George Dyson
Stephen Town, Director of Choral
Studies at Northwest Missouri State University and recipient of a
Ralph Vaughn Williams fellowship, has written an incredibly thorough
inspection of the English choral Renaissance of the early twentieth
century through inspection of the genesis of works by Hubert Parry,
Charles Stanford, Ralph Vaughan Williams, Gerald Finzi, Edmund
Rubbra, and George Dyson. Town's book is scholarly in the grandest
manner, yet very readable. There are vast amounts of well-organized
historical and analytical material here to discover in Town's
narrative, and copious footnotes and direction to further reading.
Town masterfully crafts his narrative by closely examine two works by
each composer; utilizing historical background, discussion of the
texts and text choices, performance history, and then judging the
ultimate strength and importance of each piece both in regard to each
composer's evolution during their career as well as their importance
by today's standards.
Dr. Stephen Town |
Town is an absolute master of the
English language- even the most complex ideas are expressed clearly
and persuasively, page after page. Town and his publisher Ashgate
have produced not only a very readable narrative filled with
mountains of facts and interpretation, but the entire book, from
typeface choice to clarity of musical examples is very easy on the
eye, something which many academic books fail to achieve. Town also
includes full texts of almost every piece discussed, as well as exact
instrumentation, information on manuscripts and the compositional
habits of each composers and much more.
For anyone with an interest in English
choral music, this is a must read. As I read the book I was saddened
to realize that I have never heard some of these featured pieces or
various other works by these composers mentioned in the narrative. I
hope that in reading this book that some conductors may decide to
program works such as Rubbra's Sinfonia Sacra, Stanford's The
Three Holy Children, or Finzi's Intimations of Immortality.
Probably the most amazing chapter in
the book is Chapter Eight, entitled “The Visionary Gleam”: Gerald
Finzi and Ralph Vaughan Williams, and Intimations of Immortality
(another work [by Finzi] I would
love to see programmed and studied). Town examines RVW's influence on
Finzi and examines correlations between RVW's An Oxford
Elegy and Finzi's Intimations.
Town here proves he is a musician with a powerful understanding of
the texts involved and their deepest meaning as set in these pieces.
These twenty pages are masterfully written and could easily
provide a months worth of study for any course on English music on
the university level.
I would also like to point readers to
chapter four for its wonderful indepth discussion and investigation
of the influence of American poet Walt Whitman on a number of the
English composers of this era.
In conclusion, Stephen Town's new book
is a truly great achievement and is highly recommended.
NOTE: For anyone attending the ACDA Dallas conference this week Dr. Town will have a book launch and signing on Thursday, March 14 at 11am and
3pm in the Winispear Opera House at The Musician's Choice booth. Drop by and visit!
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