[Please consider] ..." an extraordinary opportunity to study choral music in London this summer. I will be teaching a course called “From Byrd to Britten: A Survey of British Choral Music” from July 24 to August 14. This is available to graduate and undergraduate students from any college throughout the country [may also be open to auditors?- P.C.]. Every subject we study will be enhanced with excursions to relevant historic sites and attendance at concerts. Imagine singing madrigals in a preserved Tudor home, visiting Handel’s house, studying Evensong music and then attending a service at Westminster Abbey or Kings College Cambridge, or attending Britten centenary concerts at the BBC Proms!"
You can find more information from AHA International at http://www.ahastudyabroad.org/
At the Proms! |
Sharon has also given me the syllabus for the course, read below after the overview- it's great stuff plus there are plenty of tour activities as well- you won't just be stuck in a classroom studying John Blow!
LONDON PROGRAM OVERVIEW
Professor Sharon J. Paul is Director of Choral Activities and Chair of Vocal and Choral Studies at the University of Oregon. She will lead this inspiring three-week program exploring the rich history of English choral music. The course will consist of weekday class meetings, daytime and evening concert attendances, and excursions to relevant historic sites throughout London. We shall travel outside London to the historic cities of Lincoln and Gloucester, each associated with the glories of the English choral past.
This course is open to all students with a minimum sophomore standing, and ideal for undergraduate and graduate music students. The seminar will include lectures, class discussions, listening assignments, singing, journal writing, attendance at concerts, and frequent excursions.
Dr. Sharon Paul |
TITLE: From Byrd to Britten: A
Survey of British Choral Music
Instructor: Sharon J. Paul
Contact Hours: 48 hours in class, plus excursions/concerts
Language of Instruction: English
SITE CITY, SITE COUNTRY: London, England
COURSE DESCRIPTION
London provides the backdrop for a survey course exploring highlights
from Britain’s rich history of music for choir. From the
16th-century English madrigal through Benjamin Britten’s
brilliant contributions to the choral canon, students will explore
British choral music through listening, lecture, singing, concert
attendance, and excursions to relevant historic sites.
COURSE OBJECTIVES
By the end of
the seminar, students will have increased their knowledge of British
choral music, and possess an appreciation for the wealth of British
choral repertoire available for future study.
INSTRUCTIONAL METHODOLOGY
Lecture; discussion; student
presentations and projects; listening assignments; student written
reflections; concert attendance; excursions to relevant historic
sites
METHOD OF EVALUATION
(GRADING)
Students
will be graded in the following areas:
Written
assignments: 30%
Presentation:
15%
Projects:
25%
Final
exam: 20%
Class
participation: 10%
Graduate
students enrolled in MUS 688 must complete two additional writing
assignments.
COURSE OUTLINE
Unit 1: The
English Madrigal
Having been
familiar with the Italian madrigal from publications and manuscripts,
as well as from traveling musicians, the English interest in the
genre expanded after two important publications. In 1588 Nicholas
Yonge published a collection of Italian madrigals translated into
English (Musica Transalpina), and in 1590 Thomas Watson
published, Italian Madrigals Englished, which featured
translations of Marenzio madrigals. In this course we will trace the
birth of the English madrigal, from its Italian inspirations to its
mature English style, studying major madrigalists such as Weelkes,
Wilbye, and Morley, while also exploring lesser-known madrigal
composers. Students will study the English madrigal through singing,
viewing partbooks and manuscripts, studying iconography, and visiting
extant Tudor sites.
Unit 2: William
Byrd & Thomas Tallis: Music and Politics
William Byrd and Thomas Tallis flourished as musicians during
turbulent religious changes in England; both composers created music
for the Catholic Church as well as for the Anglican Service. Students
will be able to visit sites where Byrd and Tallis worked, such as the
cathedral in Lincoln where Byrd served as organist and Master of the
Choristers, and St. Mary-at-Hill in London, where Tallis served as
organist and singer. In addition we will visit venues key to the
musical and political shifts that took place in England late in the
16th century.
Unit 3:
Highlights of the Baroque Era: Purcell & Handel
The Baroque era in
England produced a considerable number of choral masterpieces. Our
survey will feature two composers’ contributions to the English
choral canon: Henry Purcell and George Frideric Handel.
Considered a
musical prodigy, Purcell began tuning the organ at Westminster Abbey
when he was only fifteen years old, and he became one of the
organists at age twenty. A prolific composer who died in his
thirties, our survey will focus on Purcell’s anthems, motets, and
odes.
Handel spent a
considerable amount of his career in London. The class will visit his
former home (now the Handel House Museum), along with the Foundling
Museum, originally a home for abandoned children founded in the 18th
century. Handel served as a Governor and benefactor for the Foundling
Hospital, which is now home to the Gerald Coke Handel Collection. We
will explore the British Library’s collection of music by both
Purcell and Handel.
Unit 4: English
Service Music
Music composed for
the Anglican Church Service has become an integral part of choral
repertoire. Our seminar will explore music composed for Matins and
Evensong, Holy Communion, and the Burial Service, from composers such
as Purcell, Tomkins, Byrd, Stanford and Howells. We will have the
opportunity to attend services at Westminster Abbey in London and
King’s College in Cambridge.
Unit 5:
Celebrating Benjamin Britten’s Centenary
The year 2013 marks
the one-hundredth anniversary of Benjamin Britten’s birth – what
an extraordinary time to be in London! Our class will attend numerous
concerts of Britten’s music, exploring repertoire ranging from
chamber music to large-scale masterpieces.
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